ENGL 2600 Critical Intro Literature (HU)

 

ENGL 2600-501 

Critical Introduction to Literature
Summer 2022
Prof. Baird


Reflection:

I had an absolutely superb time in this class. I have been taking generals for the last few semesters, and was desperate to get to classes I loved. This was what I needed. 

I loved being able to choose the different kinds of works all throughout the semester, and I felt that I really resonated with some of them. I adored Persian and Arabic works, especially Rumi. It felt like art to the eye. 

I dipped into Romanticism because I already had a fondness for it, and it did not disappoint. However, I realize now that I should have chosen something new, even though I enjoyed the pieces, because I knew most of them. 

I was rather surprised by the appreciation I had for Modernism. Ultimately, my favorite piece to read was the Merchant of Venice, which I wrote about below. This was a way for me to get into the deeper aspects of a piece, and it did not disappoint. I needed that. 

In conclusion, I felt that this class helped me remember why I love to write and read, and really made a big difference to my summer. 

Analysis Paper

Shylock: Historical Symbol of Forced Conversion

 

                                   When do we learn about forced conversion in school? When do we hear the numbers of Catholics that were secretly Jewish? We don’t. We do, however, read Shakespeare in high school.  So, let’s analyze The Merchant of Venice, and the role of Shylock, a Jewish moneylender in Venice, playing the opposite of Antonio, a rich merchant who defaults on his loan to the price of a pound of his own flesh. Our textbooks tell us that Shylock is a villain, and we take it for face value because we don’t know enough in high school to question it. Enter college, though: do we know enough to challenge that Shylock was a product of mistreatment of the Jewish people through the ages and not just a quintessential bad guy? I believe we do. Shylock was type cast to fit a character that Shakespeare needed to build a story built to make the Christian narrative the Hero, and the Jewish narrative the Villain, so to further promote the antisemitic trope that still exists today: Shylock’s anger and actions are justified. 

                                   So, let’s break it down: consider moneylending. If we know nothing about the historical aspects of moneylending at the period that Shakespeare was writing about (the 16th century), it may seem like no big deal. However, let me educate you on some details about moneylending and usury, so as to illuminate the topic. Usury is the act of moneylending with unethical loans to benefit the moneylender. (Usury, 2021) Go look at how much your credit card is charging you interest. Sound familiar? Now, the Catholic Church was banning usury for Catholics at this time, but to create a loophole for people looking to raise capital, they made it legal for Jews to practice moneylending, and then simply borrowed money from them, while keeping their proverbial souls spotless. Unfortunately, they also significantly restricted other Jewish professions, essentially pigeonholing them into certain roles, as well as segregating them to the Venetian Ghetto. (Dorn, 2016) Shylock was a moneylender because that’s the job he was allowed to have, and he was gated behind ghetto walls because that’s the home he was permitted to have.

                                   We see that Antonio excelled at verbally abusing Shylock, which Shylock points out to him when Antonio comes knocking for a loan. He asks Antonio why he has called him a misbeliever, a dog, and spit on his clothes? Antonio tells him yes, he has done these things, and will do them again, but he still wants the money. This displays how Christians expected the Jews to follow their created role while being abused for it. In this moment, we can see Shylock attempting to put Antonio off his search for money from his own coffers, but Antonio is overly confident in his ships and his fortunes, and choses to take the loan with the bond of a pound of flesh. Now, what would possess a man to take a loan at the deadly cost of a pound of his own flesh? Antonio expects to be charged interest, but perhaps the lack of interest and his own high expectations in his future earnings place him in a position to feel confident in his choices. (Roth, 2017)

                When you consider Shylock’s famous speech “If you prick us, do we not bleed?”, we hear the frustration of the Jewish plight, and the lack of justice in their causes. He ends his speech with “If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villainy you teach me, I will execute, and it shall go hard but I will better the instruction.”— Act III, scene I

Shylock was promised a pound of flesh by his tormentor, and while the actual act of cutting out the pound of flesh seems horrible, is this not what Christian lack of mercy in one area of life (persecution of the Jews) contrasted with Christian demand for mercy (in the courtroom) creates? We also have to consider that in the courtroom, when Portia reminds Shylock that he is an alien to Venice, and subject to a death penalty for endangering Antonio’s life, that Jews didn’t even have citizenship to call their own.

                                   To add to Shylock’s insult, he loses his only daughter, Jessica, to a Christian suitor. Judaism is a matrilineal ethnic group, meaning that family lines are passed down through the women. (Freeman & Shurpin, n.d.) Losing his daughter to Christianity is the equivalent of losing an arm of his family tree, or ending it entirely, if she was his only child. While this may seem like a trivial thing to our modern lens, this would be utterly devastating to a closed ethnic group like the Jews and is significantly more important to the storyline than we may have realized.  This man lost his family legacy, his amassed fortune (which she stole when she ran away) and his child. This is no small thing. Children are also considered to be the ultimate key to the future of Judaism, and this thought has persisted been for a very long time, so when we see Shylock lose his daughter and his faith through forced conversion, we see an empty shell of a man. He has nothing left.

                                   Shylock was a tragic character, cast in a comedy play meant to humorously engage the English at a time when no Jews openly existed in England. They had all been driven out in 1275, (British Library Board, 2020) and England already had a long history with treating them badly. If he was a real character, his actions would have been analyzed in the scope of what had happened to him through his lifetime. The treatment he and his people endured through the centuries was and still is utterly abominable. Shylock was justified in his anger. This does not mean I am recommending that people should cut out pounds of flesh in exchange for acts of antisemitic behavior, though. It shows that anger is a reasonable response for the mistreatment he endured, which we have read since it was penned down all those years ago. It shows how we have come to expect the Jew to take the abuse, because even now we have schools teaching that he was the evil to be found in these pages. Nazis used this play as antisemitic propaganda to whip up frenzy in Germans. (Frank, 2016) This is how Kristallnacht happened. This is how Auschwitz happened. How have we not learned to reframe his plight and better ourselves from it?

                                   Shylock has taught me something I didn’t know before. Justifiable anger is having a sense of moral outrage at the injustices of the world. Shylock was justified in his anger by the treatment he and his people endured at the hands of Christianity. He didn’t need a pound of flesh, though. He needed justice. But he wasn’t going to get that. He instead lost everything he had and was forcibly removed from his faith and placed in the very religious intuition that condemned him. This, tragically, isn’t an isolated incident to Venice in the 16th century, or England during the period when Jews were forced to convert or leave. This happened in Polish monasteries during the Holocaust, and when they were expelled from Spain in 1492. (The Converso History | Jewish Heritage Alliance, 2020) History is riddled with the quiet statements of how many Jews were forced to convert to Christianity or die. What we don’t see is a concerted effort to destroy Christianity for their actions…because they didn’t do that. Is this why we are surprised to see a Jew fight back and stand up to the oppressor? Is this why throughout history Shylock has been labelled the villain, despite the sympathetic tone Shakespeare penned in his pages?

                                   Shylock deserved his pound of flesh.  Ultimately, he is brought down by the quick wit of Portia and her argument that he can have his pound, but no drop of blood may be spilled. This, and with the spirit of the Inquisition hovering in the onlookers, he is cornered by the Courtroom and forced to conversion. The Court goes far beyond its normal duty and delivers a blow that it just one step above death. Shylock exits with nothing left to his name. Christianity drove every ounce of righteous anger from him by taking his religion and ethnicity, which is worth far more than his gold. This was the ideal subject that the citizens of Vienna preferred: a Jewish man, emotionally beaten into submission, unable to ever regain anger for his mistreatment for the rest of his life.

                                   When you survey a room of people for what a “shylock” is, you get a mixed bag of responses. (Shylock, n.d.) Many younger people have no idea at all. Some think of a loan shark. People in their 50’s and 60’s think “moneylender”. And then there is another view that’s older and scarier. These are the very elderly who know it to be a Jewish slur, one with hatred and malice behind it. This gave me pause in my research. It made me wonder at those who didn’t know the history, those of my own generation who had no clue. Part of me felt relief because we don’t carry as much of the antisemitism that is still alive and well in the elderly, but another part of me was terrified that we might not know how to tikkun olam (Hebrew for “repair the world”) when it comes to antisemitism. I realized that I want Shylock to stop being the villain in textbooks, and instead be seen as a historical figure remembered for forced conversion. I want him to be remembered when people speak of courts stepping beyond their bounds. His anger is the anger of millions reaching back into the dawn of humankind, and his despair is theirs, too. I would have the new generations learn what it means to remember the plight of the Jewish people when they read of Shylock, and learn from it, not just for the sake of naive high schoolers in English lit class, but for the hope of a kinder future.

 

 

 

 

 

 

 

 

 

References

Usury. (2021, September 15). National Consumer Law Center. https://www.nclc.org/issues/high-cost-small-loans/usury.html

Dorn, N. (2016, May 20). The Consilia of Alessandro Nievo: On Jews and Usury in 15th Century Italy | In Custodia Legis: Law Librarians of Congress. Library of Congress. https://blogs.loc.gov/law/2016/05/the-consilia-of-alessandro-nievo-on-jews-and-usury-in-15th-century-italy/

British Library Board. (2020). Expulsion of Jews. British Library. https://www.bl.uk/learning/timeline/item103483.html

shylock. (n.d.). TheFreeDictionary.Com. https://www.thefreedictionary.com/shylock

Frank, S. (2016, July 28). ‘The Merchant of Venice’ perpetuates vile stereotypes of Jews. So why do we still produce it? Washington Post. https://www.washingtonpost.com/posteverything/wp/2016/07/28/stop-producing-the-merchant-of-venice/

Roth, E. (2017, March 8). The Merchant of Venice. My Jewish Learning. https://www.myjewishlearning.com/article/the-merchant-of-venice/

Freeman, T., & Shurpin, Y. (n.d.). Why Is Jewishness Matrilineal? Chabad.Org. Retrieved August 1, 2022, from https://www.chabad.org/library/article_cdo/aid/601092/jewish/Why-Is-Jewishness-Matrilineal.htm

The Converso History | Jewish Heritage Alliance. (2020, February 18). Jewish Heritage Alliance | In The Footsteps of Sefarad and The Crypto Jews. https://jewishheritagealliance.com/the-converso-history/